2026: “Lawful Good”, Exhibition catalogue essay w/ Chandler Abrahams for Lulu Oehlers, Lauren Jane Salt, and Ash Tower’s group exhibition, Lawful Good, at _____g.s (arts writing).
2026: “Entropic Disclosure: An Essay on Iain Dean’s Tongue against teeth”, Exhibition catalogue essay for Iain Dean’s Tongue against teeth exhibition at AVA Gallery (arts writing)
2026: “The Mechanics of Wiggle Room”, Essay in a book, Made From Stone by Tim Meakins, ISBN: 978-1-7647278-0-8. (arts writing)
2026: “Form in light of Control (x) and Contingency (y)”, Exhibition catalogue essay for David Brazier’s Control Room exhibition at _____g.s (arts writing).
2026: “Open Studio - Tim Meakins”, Exhibition catalogue essay for Tim Meakins’ Laying Down and Looking Up exhibition at Cheap Tongue gallery (arts writing).
2025: “The Coalfields, Contraction and Recursivity: A Conversation between Chandler Abrahams and Samuel Beilby on Pomace”, transcribed interview with Chandler Abrahams in Exhibition catalogue for Samuel Beilby’s Pomace exhibition at Light Works (arts writing).
2025: “Abandoning the Self with Jared Xu”, Un Magazine 19.1: Resonant imaginaries and sound clashes: contemporary – political – disruptive – polyrhythmic, essay published online and in print (arts writing).
2025: “Disambiguation / Sealant XIV”, Un Magazine 19.1: Resonant imaginaries and sound clashes: contemporary – political – disruptive – polyrhythmic, written by mgmgmgmg (Chandler Abrahams, Levi McLean and Paul Boye, and Samuel Beilby), essay published online and in print (arts writing).
2025: “Farce”, Exhibition catalogue essay w/ Chandler Abrahams for Bruno Booth, Darcy Cronin, Germaine Chan, and Pascale Giorgi’s group exhibition, Farce, at _____g.s (arts writing).
2025: “Interstitions”, Exhibition catalogue essay w/ Chandler Abrahams for Lucinda Tassone, Aaron Claringbold, Guy Louden, and Ella Valentine & Tom Rog’s group exhibition, Interstitions, at _____g.s (arts writing).
2024: “Swarmic Trajectories: Mapping the Symbiosis of Social Insects and Biomimetic at Fulfilment Centre Worksites,”Leonardo, Graduate Abstract Database (MFA thesis abstract).
2024: “A stroll through the sacred, profane, and bizarre”, essay in a book, Dispatch Review Anthology 2023, Dispatch Review Press, ISBN: 978-1-7635333-0-1. (arts writing)
2024: “Machinic Paragenesis: Experiments in Handling Noise as an Artistic Material”, International Symposium of Electronic Art (ISEA2024) (conference proceedings).
2024: “Unearthing new epistemologies of extraction”, Dispatch Review (arts writing).
2023: “A stroll through the sacred, profane, and bizarre”, Dispatch Review (arts writing).
2022: “Machinic Umwelt” (chapter) in A guidebook of notes and ideas to accompany the mg project, edited by Paul Boye (various contributors) (anthology zine).
2021: “Swarm Labour: The Aesthetics of Sentient Machine Collectives at Work”, xCoAx 2021 ‘9th Conference on Computation, Aesthetics and X (conference proceedings).
2021: “Project Space: Beyond Agog”, Exhibition catalogue essay for Linda Loh’s Beyond Agog at Cool Change Contemporary (arts writing).